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Title | That's a <a href="ht | My problem with <a h | |||
Date | 2015-02-21 11:08:20 | 2015-02-21 11:30:28 | |||
Editor | Anonymous | Anonymous | |||
Edit | Edit this version | Edit this version | |||
Tags |
2015-02-21 11:08:20 by Anonymous / Edit this version | 2015-02-21 11:30:28 by Anonymous / Edit this version | ||||
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t | 1 | That's a <a href="http://liaffbz.com">wel-gthoulht | t | 1 | My problem with <a href="http://zedfbco.com">fasat |
> | -out</a> answer to a challenging question | > | ny</a> has been precisely the opposite of Big Holl | ||
> | ywood's. I find <a href="http://zedfbco.com">fasat | ||||
> | ny</a>'s conservatism - as in, its lack of new ide | ||||
> | as or genre changes - to be its main problem. Its | ||||
> | become hideously conformist, trapped within the <a | ||||
> | href="http://zedfbco.com">fasatny</a> trilogy sty | ||||
> | le. "Genre" is an inherently conservative thing, b | ||||
> | ut one can still hope that writers in a genre can | ||||
> | find new ways to express the genre, new ideas and | ||||
> | forms. To do this requires experimentation, and in | ||||
> | evitably some of this experimentation is going to | ||||
> | involve kicking back at or (to quote Big Hollywood | ||||
> | ) "soiling" the original forms. But so what? That' | ||||
> | s what change is built on. Fundamentally Big Holly | ||||
> | wood doesn't like this because it's change, and it | ||||
> | might involve bring social or political critique | ||||
> | into (shock!) art. They should relax. The novel su | ||||
> | rvived Dickens and Hardy, I'm sure the <a href="ht | ||||
> | tp://zedfbco.com">fasatny</a> genre will survive a | ||||
> | bit of "gritty realism." (Also, American critics | ||||
> | should remember that what is profanity in America | ||||
> | is dinner table conversation in the UK, and expect | ||||
> | different things of British authors).As an aside, | ||||
> | I liked American Gods but I thought it was a huge | ||||
> | drop in standard for Gaiman. The writing was pede | ||||
> | strian compared to his previous work. |