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Title | There is a critical | Thanks for the comme | |||
Date | 2014-02-18 03:58:21 | 2014-02-18 04:08:43 | |||
Editor | Anonymous | Anonymous | |||
Edit | Edit this version | Edit this version | |||
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2014-02-18 03:58:21 by Anonymous / Edit this version | 2014-02-18 04:08:43 by Anonymous / Edit this version | ||||
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t | 1 | There is a critical shortage of inmtifaorve articl | t | 1 | Thanks for the comments, all.Eric: Keep me<a href= |
> | es like this. | > | "http://kqkidc.com"> ptsoed</a> on the progress of | ||
> | the novel.David: "Sadness of the Executioner" is | ||||
> | a Fafhrd and the Gray Mouser tale written from the | ||||
> | point of view of the Newhon god, Death. It's not | ||||
> | Leiber's best, but it's a good example of how swor | ||||
> | ds-and-sorcery doesn't have to be written over the | ||||
> | shoulder of the lone, strong hero.Taranich: I hav | ||||
> | en't seen a lot of Disney films, or the Brave Litt | ||||
> | le Toaster, but the ones that spring to mind featu | ||||
> | re villains that are evil for evil's sake. I'm thi | ||||
> | nking specifically of Ursula from The Little Merma | ||||
> | id and Gaston from Beauty and the Beast, two of th | ||||
> | e Disney films with which I'm more familiar. Both | ||||
> | are presented as unredeemably evil (in Gaston's ca | ||||
> | se, more of a stupid/vainglorious version of evil) | ||||
> | and we're expected to dislike them from the get-g | ||||
> | o.The difference with Lots-o' in my opinion is tha | ||||
> | t his dark half is explained, and a reason is prov | ||||
> | ided for his wickedness. Woody hears his story fro | ||||
> | m the clown and sympathizes with him. I at least e | ||||
> | xpected Lots-o' to accept Woody's helping hand, an | ||||
> | d to realize that his abandonment was a cruel twis | ||||
> | t of fate, not a reason for ultimate despair. My o | ||||
> | lder daughter was surprised he didn't accept, eith | ||||
> | er.Yeah, strapped forever to the front of a garbag | ||||
> | e truck... yikes. I actually recoiled a bit from t | ||||
> | hat. |