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| Diff Summary | |||||
|---|---|---|---|---|---|
| Title | Ana Paula Batista - | Good morning,<a href | |||
| Date | 2015-02-21 09:02:06 | 2015-02-21 10:47:54 | |||
| Editor | Anonymous | Anonymous | |||
| Edit | Edit this version | Edit this version | |||
| Tags | |||||
| 2015-02-21 09:02:06 by Anonymous / Edit this version | 2015-02-21 10:47:54 by Anonymous / Edit this version | ||||
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| t | 1 | Ana Paula Batista - Fernanda, ne3o tem muito tempo | t | 1 | Good morning,<a href="http://iyiqvumkfua.com"> evr |
| > | que acompanho seu blog, mas gosto e airmdo muito | > | nyoee</a>, and thanks for all the great questions! | ||
| > | seu trabalho. Vou te dizer uma coisa acho que ess | > | I'm back with some answers for you.An It's fine | ||
| > | a sesse3o foi a mais linda que je1 vi por aqui. Es | > | to re-query agents on projects that have *substan | ||
| > | sas fotos este3o incredveis! Parabe9ns!E quanto e0 | > | tial* revisions, but you should always note that y | ||
| > | decise3o de ser me3e, realmente ne3o deve ser fe1 | > | ou approached them earlier on the project, especia | ||
| > | cil. Sou me3e he1 quase doze anos. Foi algo que ac | > | lly if you've changed the title. You don't want th | ||
| > | onteceu na minha vida, sem decise3o, mas posso te | > | em to remember bits of your project and your name | ||
| > | garantir que foi a melhor experieancia que je1 tiv | > | and suspect you of trying to trick them. Honest an | ||
| > | e e tenho tido a cada dia.Seu trabalho e9 muito li | > | d up front.Jen Most agents will provide some lev | ||
| > | ndo e cheio de emoe7e3o. Te desejo muito sucesso.b | > | el of editorial advice before submitting a project | ||
| > | eijos | > | , thought what level will depend on the agent in q | ||
| > | uestion. Some agents feel more comfortable being e | ||||
| > | ditorial than others, based on their skills. I can | ||||
| > | 't speak for all the Knight Agency ladies, but I t | ||||
| > | hink most of us give editorial feedback, and, pers | ||||
| > | onally, I can go pretty in-depth when necessary.Th | ||||
| > | e Knight Agency is open to queries through the hol | ||||
| > | idays. That doesn't necessarily mean we'll be repl | ||||
| > | ying to them during the holidays, but feel free to | ||||
| > | send them along. L.G. Paranormal and urban fan | ||||
| > | tasy both are getting to be tougher sells, just du | ||||
| > | e to the glut in the marketplace. Editors and read | ||||
| > | ers are still interested; you just need to find so | ||||
| > | mething fresh to write about. Most people will cla | ||||
| > | im there's no automatic rejection based on subject | ||||
| > | , since anything can be done in an original way th | ||||
| > | at will lead to a fabulous book, but at the same t | ||||
| > | ime, vampires, werewolves, and shapeshifters are a | ||||
| > | ll getting to be much harder sells. As for me, I r | ||||
| > | eally don't want to see any more vampire books rig | ||||
| > | ht now. I love them, but I'm so, so tired of them. | ||||
| > | So yes, it's a more difficult genre to break into | ||||
| > | than it was three years ago, but books are still | ||||
| > | selling, so just do your best to write something f | ||||
| > | resh and exciting.Stephanie Regarding planning a | ||||
| > | writing career, that's part of an agent's job t | ||||
| > | o help a writer determine what steps to take next. | ||||
| > | That said, there's no dictating involved, or at | ||||
| > | least there shouldn't be. You want to have discu | ||||
| > | ssions about your list of ideas and come to a deci | ||||
| > | sion together about which project might be the bes | ||||
| > | t one to work on next. Many factors come into play | ||||
| > | ; whether you've sold something and need to write | ||||
| > | a direct follow up, if you have an option clause a | ||||
| > | nd so need something to please your current editor | ||||
| > | , what the market looks like for your type of work | ||||
| > | , etc. Your agent is there to help you get a clear | ||||
| > | idea of the larger picture, and not just what you | ||||
| > | feel like writing next.Tracy An online presence | ||||
| > | is becoming more important for fiction writers th | ||||
| > | an it used to be. That said, there are many ways o | ||||
| > | f developing that sort of online following, and yo | ||||
| > | u can choose to use your manuscript in that quest | ||||
| > | or not. Definitely, if you wish to, put up the fir | ||||
| > | st chapter of your novel as a teaser and see if pe | ||||
| > | ople respond to it. But you also want to get out t | ||||
| > | here on Twitter and become part of a community whe | ||||
| > | re you chat and trade information and recommendati | ||||
| > | ons, etc., not just prepare to sell your book. You | ||||
| > | want to look at the entire spectrum of social med | ||||
| > | ia and see how you can make the different apps wor | ||||
| > | k for you and your interests broadly, not just f | ||||
| > | ocused on your writing. Be a person online first, | ||||
| > | and a writer second.Kris The labels start to get | ||||
| > | in the way of what is actually most important abo | ||||
| > | ut books, so the question becomes whether you mean | ||||
| > | genre fiction versus contemporary fiction, or gen | ||||
| > | re fiction versus literary fiction when you refer | ||||
| > | to basic fiction. I'm assuming you mean stories | ||||
| > | that are just stories about people, without serial | ||||
| > | killers or vampires, romances or space travel as | ||||
| > | the focus. This type of fiction has lots of labels | ||||
| > | as well: women's fiction, lad lit, contemporary f | ||||
| > | iction, upmarket contemporary, literary, etc. Ther | ||||
| > | e's plenty of it out there. But agents and editors | ||||
| > | tend to label it all in order to convey what we'r | ||||
| > | e looking for in the way of submissions.But to ans | ||||
| > | wer your question, yes, there's plenty of that oth | ||||
| > | er, non-genre sort of fiction out there. However, | ||||
| > | books need hooks in order to sell. Publishing hous | ||||
| > | es have marketing teams that want books where they | ||||
| > | can easily get a buyer excited about the story. T | ||||
| > | he more basic the fiction, the more real-world t | ||||
| > | he story, the harder job the sales team has of mak | ||||
| > | ing the story stand out. At the end of the day, pu | ||||
| > | blishing is a business, and so sales drive what en | ||||
| > | ds up getting published. And stories with big hook | ||||
| > | s magic and mayhem, fantastical creatures, knott | ||||
| > | y mysteries, death-defying accomplishments those | ||||
| > | are always going to get more attention. You also | ||||
| > | need to determine what sort of media you're readin | ||||
| > | g. Some sites and blogs and agents are going to ta | ||||
| > | lk more about genre, because that's their focus. A | ||||
| > | gencies that rep more genre will talk about their | ||||
| > | genre clients. Blogs that focus on paranormal roma | ||||
| > | nce won't talk much about hearth-and-home fiction. | ||||
| > | Okay folks, that's it for this Q A. Thanks so muc | ||||
| > | h for participating!~Nephele | ||||
